Bright, bloody, and full of campy good fun, the most successful of Stuart
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Bright, bloody, and full of campy good fun, the most successful of Stuart
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Harry Kümel may not be a household name (unless, perhaps, you live in his native Belgium), but in the early 1970s he directed a pair of horrors, Daughters of Darkness and Malpertuis, which have now become minor cult classics
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This low-budget British effort is a somewhat fractured re-telling of the fairytale classic “Rumpelstiltskin”, still entitled simply Rumpelstiltskin.
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