In 1981, David Cronenberg – with three sci-fi horrors, two low-budget amateur films, and one car-racing oddity under his belt – delivered to date the most commercial of his bleak visions.
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In 1981, David Cronenberg – with three sci-fi horrors, two low-budget amateur films, and one car-racing oddity under his belt – delivered to date the most commercial of his bleak visions.
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If you have the patience for it, and if you’ve already enjoyed David Cronenberg’s most recent and highly excellent film, Crimes of the Future, you may get something from Possessor, but it isn’t an easy film to like or even follow.
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In the 70s rape-revenge tradition comes a French(-ish) extreme take, deftly weaving kick-ass feminism, comic-book action and surreal visuals into one breathless, blood-soaked package.
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